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Werewolves in Fiction

6/6/2016

 
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Cycle of the Werewolf - Stephen King (Movie version: Silver Bullet

The first scream came from the snowbound railwayman who felt the fangs ripping at his throat. The next month there was a scream of ecstatic agony from the woman attacked in her snug bedroom. 

Now scenes of unbelieving horror come each time the full moon shines on the isolated Maine town of Tarker Mills. No one knows who will be attacked next. But one thing is sure. 


When the moon grows fat, a paralyzing fear sweeps through Tarker Mills. For snarls that sound like human words can be heard whining through the wind. And all around are the footprints of a monster whose hunger cannot be sated... Cycle of the Werewolf.


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Bitten by Kelley Armstrong (A recent TV show of the same name)

Elena Michaels is the world’s only female werewolf. And she’s tired of it. Tired of a life spent hiding and protecting, a life where her most important job is hunting down rogue werewolves. Tired of a world that not only accepts the worst in her–her temper, her violence–but requires it. Worst of all, she realizes she’s growing content with that life, with being that person.

So she left the Pack and returned to Toronto where she’s trying to live as a human. When the Pack leader calls asking for her help fighting a sudden uprising, she only agrees because she owes him. Once this is over, she’ll be squared with the Pack and free to live life as a human. Which is what she wants. Really.

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The Wolf Gift by Anne Rice

The place, the rugged coast of northern California. A bluff high above the Pacific. A grand mansion full of beauty and tantalizing history set against a towering redwood forest.

A young reporter on assignment from the San Francisco Observer. . . an older woman, welcoming him into her magnificent, historic family home that he has been sent to write about and that she must sell with some urgency . . . A chance encounter between two unlikely people . . . an idyllic night—shattered by horrific unimaginable violence. . .The young man inexplicably attacked—bitten—by a beast he cannot see in the rural darkness . . . A violent episode that sets in motion a terrifying yet seductive transformation as the young man, caught between ecstasy and horror, between embracing who he is evolving into and fearing who—what—he will become, soon experiences the thrill of the wolf gift.

As he resists the paradoxical pleasure and enthrallment of his wolfen savagery and delights in the power and (surprising) capacity for good, he is caught up in a strange and dangerous rescue and is desperately hunted as “the Man Wolf,” by authorities, the media and scientists (evidence of DNA threaten to reveal his dual existence). . . As a new and profound love enfolds him, questions emerge that propel him deeper into his mysterious new world: questions of why and how he has been given this gift; of its true nature and the curious but satisfying pull towards goodness; of the profound realization that there are others like him who may be watching—guardian creatures who have existed throughout time and may possess ancient secrets and alchemical knowledge and throughout it all, the search for salvation for a soul tormented by a new realm of temptations, and the fraught, exhilarating journey, still to come, of being and becoming, fully, both wolf and man.
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The Howling Trilogy by Gary Brandner

THE HOWLING:
Karyn and her husband Roy had come to the peaceful California village of Drago to escape the savagery of the city. On the surface Drago appeared to be like most small rural towns.
But it was not.
The village had a most unsavory history. Unexplained disappearances, sudden deaths.
People just vanished, never to be found.

THE HOWLING II:
For Karyn it was the howling.
The howling that had heralded the nightmare in Drago… the nightmare that had joined her husband Roy to the she-wolf Marcia and should have ended forever with the fire.
But it hadn’t.
Roy and Marcia were still alive, and deadly…
And thirsty for the most horrifying vengeance imaginable…

THE HOWLING III:
They are man. And they are beast.
Once again they stalk the night, eyes aflame, teeth flashing in vengeance.
Malcolm is the young one. He must choose between the familiar way of the human and the seductive howling of the wolf. Those who share his blood want to make him one of them.
Those who fear him want him dead.
Only one woman and one man want to help him.
Even though they can't believe their ears. Or their eyes.
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Sisters Red by Jackson Pearce

Scarlett March lives to hunt the Fenris — the werewolves that took her eye when she was defending her sister Rosie from a brutal attack. Armed with a razor-sharp hatchet and blood-red cloak, Scarlett is an expert at luring and slaying the wolves. She's determined to protect other young girls from a grisly death, and her raging heart will not rest until every single wolf is dead.Rosie March once felt her bond with her sister was unbreakable. Owing Scarlett her life, Rosie hunts ferociously alongside her. But even as more girls' bodies pile up in the city and the Fenris seem to be gaining power, Rosie dreams of a life beyond the wolves. She finds herself drawn to Silas, a young woodsman who is deadly with an ax and Scarlett's only friend — but does loving him mean betraying her sister and all that they've worked for?

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Shiver by Maggie Stiefvater

For years, Grace has watched the wolves in the woods behind her house. One yellow-eyed wolf—her wolf—is a chilling presence she can't seem to live without.

Meanwhile, Sam has lived two lives: In winter, the frozen woods, the protection of the pack, and the silent company of a fearless girl. In summer, a few precious months of being human… until the cold makes him shift back again.

Now, Grace meets a yellow-eyed boy whose familiarity takes her breath away. It's her wolf. It has to be. But as winter nears, Sam must fight to stay human—or risk losing himself, and Grace, forever.

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    About the Author:

    S. K. Gregory is an author, editor and blogger. She currently resides in Northern Ireland.

    “Description begins in the writer’s imagination, but should finish in the reader’s.” 
    ― Stephen King, On Writing: A Memoir of the Craft
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